Hugh Parsons Design is a furniture maker based in Newbattle. Hugh has created a striking maple, cherry and fumed oak mirror with a celtic pattern using traditional marquetry techniques.
He asked LaserFlair if we could engrave a recessed triangle pattern on the mirror frames and also laser cut fumed oak veneer into triangles of three sizes. The engraving creates enough depth for the fumed oak triangles to sit into so that they sit slightly proud of the frame. Once fitted, Hugh sands the frames so that the triangles are flush with the surface of the frame.
Hugh and I spent a good half day doing tests to make sure that everything would fit together properly!
First, we test engraved some triangles on frame offcuts. After a few tests, we selected engraving power settings to achieve the right depth for the oak veneer to fit so that it was neither too shallow nor too deep in relation to the mirror surface.
Then we set up the mirror on a jig so that the laser was aligned as closely as possible to the frame while the triangular pattern was engraved. The large triangles in the top right and bottom left corners of the mirror point right into those corners. Human eyes can detect an error or 1mm or more which would detract from the effect. We use a jig to get as close as possible to perfection as doing it by eye just isn’t accurate enough.
Cutting the veneer
Finally, we needed to make sure that the fumed oak triangles would fit the engraved areas properly. I cut some samples and Hugh tested them for fit, knowing what he required for best results. We had to tweak the sizes a bit to get them right. The veneer was quite hard to cut as it comes in quite tight rolls. We had to weigh the strips down to keep them flat during production to make sure they ended up with the right sizes.
Hugh finishes off the mirrors by cutting grooves at 45 degrees to the frames. He coloured them to match the triangles, and the effect is striking and beautiful. We’re so proud to help craftsmen to create such beautiful pieces. Hugh exibited his Celtic Mirrors at the SFMA exhibition at the Royal Botanic Garden Edinburgh in 2016. He also sells them on his website.
A customer asked if I could laser engrave six wooden chopping boards with her granny’s Highlander recipe as gifts for her family for Christmas. To make the gifts extra special, she had scanned her granny’s recipe from her old recipe book. She wondered if we could engrave the boards to look as if her granny had written the recipe on the boards herself.
My customer prepared the artwork herself and got it right first time.
Scanning handwriting for laser engraving
We need artwork for engraving in black and white with no greyscale. This is very important because the laser either engraves or doesn’t engrave. It engraves black and doesn’t engrave white. If the artwork is greyscale, the software interprets greys as being either dark enough to be black or pale enough to be white and engraves accordingly. The laser creates shades of grey in the way that old fashioned newsprint did, by engraving concentrations of black pixels. As the laser engraves each black pixel, black and white artwork works best.
It is also important that if artwork if presented in jpg, png or bitmap format (as my customer did), the graphics must be of print quality, in other words, 300dpi or greater. Unwanted pixellation will be engraved, so customers should provide good, clean unpixellated images for best results. Engraving is only as good as the artwork is.
Engraving the boards
The text was very fine, as you’d expect from handwriting. We performed some test engraves and got good results using a deep engrave to give the text good definition. My customer loved the engraved boards. Having a fresh reminder of her granny in her kitchen was special as she prepared to start her own family.
We can engraved curved surfaces as well as flat ones, but it depends on the curve and the material. Here’s an example.
We engraved these beautiful beech coffee tamper handles for Made by Knock for their customer, Machina Espresso. They’re so tactile, and are perfect for engraving if you can work with the curved surface. That was the biggest challenge, along with getting the logo centred on the top. You can easily spot if engravings are out by a millimetre.
It’s all about focus
The principle is that flat surfaces should be engraved. This is because the laser beam is focussed vertically onto a horizontal surface. The distance between the lens and the material surface is crucial for high quality engraving. Lenses have specific focal lengths that should be adhered to for best results. Even a tolerance of plus or minus 1mm can be a problem depending on the material used and the lens selected.
These principles need to be adhered to more for sensitive materials like acrylic and metal where a reduction in engraving quality is very easy to spot. Wood, on the other hand, is much more forgiving.
My secret weapon
My secret weapon is my 100mm lens. It allows me to work with a curve of around 8mm, particularly if the material is forgiving like wood is. I’ve used it to engrave these tamper handles and mini wooden baseball bat muddlers for mixing cocktails. It is still important to keep engravings on relatively flat areas for best results.
Before we went into production, we engraved Machina Espresso’s logo on a few tamper handle seconds to judge the largest size the logo could be engraved to keep the logos on the flattest part of the handles. It was important to know at what size engraving quality would deteriorate, and to make sure that engraving results would be consistently high quality.
Glenmore Lodge National Outdoor Training Centre near Aviemore had designed and were creating a new garden for their facilities. It was felt that a training centre would benefit from having an outdoor space to encourage personal reflection.
They approached LaserFlair with the idea of creating a wooden ‘library’ consisting of oak ‘books’ to create a focal point. To add an element of fun, they wanted titles relevent to outdoor activities engraved on their spines. My favourite was Classic Rock.
How to make an outdoor wooden library
Glenmore Lodge provided a list of the titles they wanted engraved on the oak books. They cut the wood into blocks of different shapes and sizes to simulate a shelf of assorted books. Each book was shaped to give the impression of a spine along one side
LaserFlair advised on fonts and layout to get the look and depth of engrave for the right look. We chose a bold font for the text to make it easy to read from a distance, and made the text as large as possible to fit the width of the books’ spines. We decided on a deep engrave for a lasting appearance and texture as the books were designed to be touched and weather with the garden.
Laser engraving the books
Each block of oak was positioned in the machine so that the ‘spine’ was uppermost. We do this because the laser head is aligned vertically and engraves the horizontal surface below. We lowered the machine bed by 15-20cm so that each ‘book’ could be positioned at the correct focal distance from the lens. Maintaining focus is important to achieve good engraving quality. Finally, we raster engraved to create a pleasing 3D effect, and performed two passes to give extra depth to the letters.
Glenmore Lodge love their new garden feature. It gives a sense of intrigue and intimacy.
Customers request all sorts of weird and wonderful commissions. Customers have lovely ideas to personalise gifts that are only limited by their imaginations, so no two jobs are ever the same.
A customer approached us to ask if we could engrave a pair of matching wooden tankards. He’d commissioned them as gifts for friends for their festival themed wedding or ‘wedfest’. If possible, he wanted to personalise them to make them extra special. Perhaps they would become family heirlooms to be treasured for years to come.
Engraving cylindrical objects
It is possible to engrave cylindrical objects, but this has its challenges. The laser needs a flat surface to focus on for best results. If the laser beam loses focus, engraving quality suffers and becomes fuzzier. The more out of focus the beam becomes, the worse the effect is.
We suggested that for something a little different and to maximise the chances of success, we could engrave the tankards vertically. This tactic would allow the laser to focus on the relatively flat spine of the cylinder. It worked a treat and you can see the results in the photo.
Top tips for engraving cylinders
We used our 100mm focal length lens to compensate for the slight curve on the circumference of the tankards. We performed a nice deep raster engrave to give a 3D effect on them, and the look really suited the chunky tankards. My customer was delighted with the results.